Tag Archives: Erik Lindberg

Review of Drake’s fourth studio album “Views”

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We’ve been waiting for this album since 2014. Almost immediately after releasing Nothing Was The Same in late 2013, Drake announced the title to his follow up Views From The 6 and that he was already in the process of working on it. In 2015 we got If You’re Reading This It’s Too Late and that did not disappoint at all. But even after that, everyone was still talking about Views and what it could possibly mean to the hip hop world. Arguably the biggest celebrity at the moment, Drake sets himself up for failure early on in the album by calling it a classic only 4 songs in.

Views is in no way a bad album. It’s just Drake being Drake, which we’ve gotten many times before. He plays it so safe it’s almost sad. Yes, the Toronto artist added some dancehall flare with songs like “One Dance,” “Too Good” & “Controlla.” But that just isn’t enough anymore. Every song sounds too much like past work, lyrically and stylistically. It is almost as though every song could have somehow found it’s way onto one of Drake’s past albums.

Drake’s right hand man Noah “40” Shebib does an amazing job with the majority of the production and mixing/mastering. Drake sings more than ever on the album and his performance is phenomenal. Songs like “Feel No Ways” & “With You” have Drake hitting notes that I’ve never heard him hit before. Drake’s growth has been something amazing to watch over the years and for him to be able to sing like the majority of pop stars today is pretty fascinated considering he made his name rapping with Lil’ Wayne.

In terms of bars, Drake really goes in on “Hype” & “Still Here.” No features just bar after bar after bar. Those two are by far my favorite on the album. “Grammys” featuring Future sounds like it was recorded during the What A Time To Be Alive sessions but it still was a pleasant surprise to hear future body another verse. Overall, I wish Drake would have rapped a bit more but we always have If You’re Reading This It’s Too Late to go back to.

After all said and done, Views is Drake’s safe album. It won’t be remembered like Take Care will be. Yes, it will be in rotation for quite sometime and it will obviously be talked about for months to come. But the real question is what is next for Drake. He can’t keep using the same formula in his music and that is apparent. No one will get bored listening to it but for music heads like myself I just want MORE. Hopefully we get that Drake/Kanye mixtape he hinted at during the Zane Lowe interview. Now that would be something.

What did you guys think? If you haven’t listened to the album yet, you can check it out on Apple Music here. Happy listening!

Written by Erik Lindberg

Kanye West continuing to mix “The Life Of Pablo” is a significant step for all artists, producers and engineers

3056803-poster-p-1-the-life-of-the-life-of-pablo.jpgTired of hearing about Kanye? Well as a music producer myself, I’m not. Yes I’m a fan and yes I might be one of those kids who will sit there and try to defend Kanye to anyone who completely bashes him but so what? From a musical standpoint, what he is doing with his latest album The Life Of Pablo and “Wolves” especially, is amazing.

Yesterday, Kanye updated one of the most talked about songs, before it’s release, on Tidal. He changed quite a bit actually. The original “final mix” consisted of a song structure that went from; Kanye’s auto-tune intro/chorus,  first and only long verse, vocal interlude that slides into Frank Ocean’s outro. Ye dropped both Vic Mensa and Sia’s part from the live performances they did late last year. That is a significant amount of heard content that Kanye excluded.

Kanye West, Vic Mensa & Sia live performing “Wolves”

As an aspiring music producer and audio engineer, the fact that Kanye and only Kanye is in complete control of the final product that is being streamed on Tidal, is so amazing creatively but also a big deal for the music industry and other artists. Yes, Kanye works with a lot of people to put out this final project in the studio, but just the fact that he has the final say on how something sounds and how it is being broadcasted sonically is a huge step forward for any artist. This is something that music hubs like soundcloud and audiomack have been offering for year. But Kanye, a major label artist, is doing this through Tidal, one of three major market streaming services beside Apple Music and Spotify.

For “Wolves 2.0,” Ye adds some more drum layers, adds Vic Mensa and Sia’s part, changes a ton of vocal effects and adds some ad libs on his ending sequence. What else is crazy is that he pushed Frank Ocean’s little vocal ditty to it’s own song. This is so much music to re-engineer, mix, master, edit and manipulate three weeks after the official release.

What this means for artists, producers and engineers is this, why settle for something that you already released to the public if you still believe you could do better. A lot of people that I have worked in music with before have all expressed how musicianship is full of constant changes. Hell, this is half the reason I can’t hardly finish a song because I’m never satisfied with final mixes and song structures. I always want more and more change. If you ever have preformed live in any matter, you’ll know that no performance is the same. You are constantly adjusting almost every small detail in your sound. That is why they say music is a gift that keeps on giving.

By Kanye West continuing to change a major label release such as The Life Of Pablo, it is helping pushing the boundaries of contemporary artistry and musicianship and challenges the idea that the music that he is making is in his complete control and not in the hands of these major labels. Artists, producers and engineers keeping making music, keep updating it and never be satisfied. Because that next edit or change you want to make to a mix could be what ends up getting noticed. Who really knows?

“Wolves” is one hell of a song though no matter how many times Kanye changes it. I hope he continues to mix and changes his stuff. Who really knows what could come next??

Written by Erik Lindberg

Curren$y- “The Owner’s Manual”

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Curren$y must not sleep. Even though Spitta released his album, Canal Street Confidential, just over a month ago, it doesn’t stop the New Orleans rapper from releasing more music in the form of The Owner’s Manuel EP. Let these six smooth records fill your eardrums with heat. Curren$y never disappoints as this is another perfect collection of songs to cruise too. Turn the volume up and press play below.

Written by Erik Lindberg

HERE IS UNCLE ERIK’S BEST OF 2015 MIX

bo2015I know this is twelve days late. Frankly, I don’t give a fuck. I got some new equipment and I finally put it to use. 2015 was probably one of the greatest years in Hip-hop history and there was a TON of music. So I put together over and hour an a half mix of what I thought was the best shit of last year. The year had it’s ups and downs and I’m completely ready to put 2015 in the past. With that said. I’m not providing a tracklist. Just hit play below. You won’t regret it. I used Serato DJ and my Numark NV for the mix and it is not perfect. Get ready for many more mixes in the coming days. Let me know what you think

Written, mixed and artwork all by Erik Lindberg

Watch Kendrick Lamar perform “Untitled #2” live on The Tonight Show W/ Jimmy Fallon

Kendrick-Lamar-Skyrockets-to-Top-of-Artist-100-FDRMXEven after being nominated for eleven Grammys this year, Kendrick still found time to rehearse and perform a brand new song on The Tonight Show With Jimmy Fallon. Similar to the song K.Dot performed on Stephen Colbert’s show a few months back (“Untitled #1”), there is no recording a just the live performance. I will say, this song may be better than some of the tracks on To Pimp A Butterfly because of how much it grooves. Don’t miss out and check out the performance for yourselves below.

Written by Erik Lindberg